Vannevar Bush, As We May Think
Introduction to visual culture
Thursday, September 13, 2012
Tuesday, September 11, 2012
M A X ' S L E C T U R E S
RESEARCH AND THEORY BOOKS mentioned
CLASSICS mentioned
- Kristeller, Paul Oskar, "The Modern System of Arts" (1951/1952). Republished in Kivy (ed), Essays in the History of Aesthetics.
- Tatarkiewicz, Wladyslaw: History of Six Ideas (1979)
- Huyssen, Andrea: The Great Divide (1986)
- O'Doherty, Brian: Inside the White Cube (1976)
- Battersby, Christine: Gender and Genius (1989)
- Woodmansee, Martha: The Author, Art, and the Market (1994)
- Danto, Arthur: The Artworld (1964)
CLASSICS mentioned
- Baumgarten, Alexander G.: Aesthetics (1758)
- Castiglione, Baldassar: The Courtier (1528)
Monday, September 10, 2012
Tuesday, September 4, 2012
Panopticon
The Panopticon is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing; in the central tower, one sees everything without ever being seen.(Michel Foucault, 1975, Discipline and punish / Tarkkailla ja rangaista)
Monday, September 3, 2012
Vision and visuality
Jay, Martin (1988). Scopic regimes of modernity. In H. Foster (Ed.) Vision and visuality. Seattle: Bay Press
Peter Greenaway: The Draughtsman's Contract
Alfred Hitchcock: Rear Window
Laura Mulvey: Visual pleasure and narrative cinema (1975)
- phallocentrism: film and cinematography are structured upon the ideas and values of patriarchy
- scopophilia and gaze
For Finnish readers: Kupiainen, Reijo (2005). Elokuva ja tosin katsomisen mahdollisuus. Synnyt 2/2005.
Peter Greenaway: The Draughtsman's Contract
Alfred Hitchcock: Rear Window
Laura Mulvey: Visual pleasure and narrative cinema (1975)
- phallocentrism: film and cinematography are structured upon the ideas and values of patriarchy
- scopophilia and gaze
For Finnish readers: Kupiainen, Reijo (2005). Elokuva ja tosin katsomisen mahdollisuus. Synnyt 2/2005.
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